Because men supposedly can’t wander into the mythical Bar (and it’s a “a woman can wander into a bar” scenario) and wander out five minutes later with a woman eager to jump his bones, women by default have greater power when it comes to dating.

They are The Choosers, the gatekeepers to the Promised Land, cruel temptresses who taunt men by being attractive and yet unavailable.

Because sex is so much more easily attainable for women – or so the conventional wisdom goes – they have luxury of being able to define the standards which men must meet, wantonly cutting off men who are not rich, tall douchebags with square jaws and fast cars.

The project is completely non-commercial and self funded.

The aim is to make the information available on a free/open source basis i.e.

After the 1917 Bolshevik revolution in Russia an utopian avant-garde movement inspired by Futurism and Anarchistic ideas developed which included radical new music and performance.

New, atonal, music was written, new types of theatre evolved and new instruments invented to bring about this utopian age; Arseney Avraamov conducted a huge symphony of sirens involving warships, factory hooters and artillery and proposed the destruction of all pianos to free music of fixed tonation.

you can use content in any way as long as the content owners are credited and it would be courteous if you could acknowledge the source by linking or referring to the site. 2016 *The name: ‘120 Years of Electronic Music’ project was begun in 1996; considering electronic music started around 1880 this was quite an accurate title for the time.

I’ve noticed that there’s a topic that comes up repeatedly when it comes to talking about dating issues, whether it’s about the problems with being a Nice Guy, online dating, or even just approaching new people: the idea that women hold all of the power in dating.

This project defines ‘Electronic Musical Instrument’ as an instruments that generate sounds from a purely electronic source rather than electro-mechanically or electro-acoustically (However the boundaries of this definition do become blurred with, say, Tone Wheel Generators and tape manipulation of the Musique Concrète era).