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much less rich in contents, gives very favourable evidence of the high grade of art at this time in the Netherlands. Wanting this, the artists of the Netherlands and Germany were restricted to the production of altar pictures, which came more and more into vogue. THE PERIOD WHEN PAINTING WAS PRINCIPALLY RESTRICTED TO THE ILLUMINATION OF OUTLINES. The art of tliis period indicates in so far an improvement on that of the foregoing, that wo observe a greater effort at independence, to the abandonment partially of the By- zantine models, and entirely of Byzantine styles of colour- ing and treatment.

On the other hand, the stunted forms under which Gothic architecture appeared in Italy pre- served to the Italian painters those walls and ceilings which offered the fundamental condition of the develop- ment of high monumental art in that country.

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Google Book Search helps readers discover the world's books while helping authors and publishers reach new audiences. The folds of the draperies are also treated with unusual breadth.

You can search through the full text of this book on the web at | //books .google .com/I HANDBOOK OF PAINTING. In the Nativity we see the annoimcement of that realistic mode of conception in which the Netherlands were destined to precede all other countries. 31 on a much smaller scale, are three angels holding a canopy.A public domain book is one that was never subject to copyright or whose legal copyright term has expired. After the year 1300 the dawning feeling for greater harmony of colour is seen in the use of more broken tints — for instance, bluish-pink,- brownish, greenish, &c.Whether a book is in the public domain may vary country to country. 4 „ 39 The Triumph of the Church : in the National Museum, Madrid . „ 55 The Altarpiece of The Adoration of the Lamb ; painted by John and Hubert van Eyck for the Church of St. ; also in a more careful design and a more delicate distribution of lights and shadows.Google This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project to make the world's books discoverable online. „ 58 The Adoration op the Lamb „ 60 The Holy Warriors ) . In point of colouring the abandonment of tradition entails bright and gaudy hues, among which vermilion and a powerful blue play the chief parts.It has survived long enough for the copyright to expire and the book to enter the public domain. As the black outlines of this time are somewhat meagrely treated, the colour of the cheek only given by red spot^, and the shadows of the draperies simply rendered by a darker local tint, these pictures, which are drawn with great certainty of hand, have the effect of very gaily illuminated pen-drawings. Having been misled by Italian miniatures of the 14th century in the latter part of the MS., and by the Byzantine influence also prevailing in Italy from 1200-1300, I have erro- neonsly described this MS. This is to be more regretted in the town of Maestricht, the artists of which, according to the above-mentioned poem of Parzival, by Wolram von Eschen- bach, enjoyed a great reputation. The centre compartment — the only space adapted by its size for a comprehensive compo- sition of life-sized figures — was generally engrossed by sculpture, while the wings, which were the only portions left for the painter, were, by their long and narrow forms, 80 unfavourable to pictorial art, that they are usually seen divided into two, and thus only adapted for the execution of figures on a very small scale. In the motives of the earlier pic- tures of this time a mixture of the forms of Eomanesque and Gothic sculpture prevails ; in those of a later period Gothic feeling alone is seen.